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Minor Scales

Posted on April 2, 2026April 9, 2026 by Helena Papapostolou

In Western music, we work with three different forms of the minor scales. The Natural Minor Scale is built using natural notes without any accidentals, and is classified as a purely diatonic scale. In addition to the natural form, we have the Harmonic Minor and the Melodic Minor, each of which features a different sequence of whole tones and semitones. Notably,…

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Major Scales

Posted on April 2, 2026April 2, 2026 by Helena Papapostolou

The first major scale we learn is C Major, which acts as our primary model for the sequence of whole tones and semitones. It is also known as the Natural Major Scale. The sequence of whole tones and semitones is: Whole Tone (or just Tone)-T-S-T-T-T-S. Major Scales with Sharps The major scales with sharps, in order, are: G, D, A, E, B, F#, and…

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Happy Piano Day – 29/3

Posted on March 29, 2026March 29, 2026 by Helena Papapostolou

Every year, on the 88th day of the year, we celebrate World Piano Day! The date is no coincidence. It honours the 88th keys of this magnificent instument. The story of every pianist, regardless of level, begins with: Straight back, relaxed shoulders, loose and straight wrist, round finger – don’t look at your nails while…

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Chapter 5: Harmonic Intervals – Consonance & Dissonance

Posted on March 25, 2026March 28, 2026 by Helena Papapostolou

In the world of music theory, harmonic intervals are the building blocks of every chord we hear. Understanding how these intervals work, and how they resolve, is the key to creating emotional tension and release in the pieces we study, analyse, or even compose. What are Harmonic Intervals? A harmonic interval, as we have already…

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Chapter 4: Diatonic & Chromatic Intervals

Posted on March 24, 2026March 24, 2026 by Helena Papapostolou

In music theory, the distinction is based on whether an interval occurs naturally within the Major and Minor Scales or if it requires “artificial” chromatic. (SOS: See the note at the end of the post!) 1. Interval of a 2nd 2. Interval of a 3rd 3. Intervals of a 4th & 5th (The “Universal” Diatonics)…

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Chapter 2: Simple & Compound Musical Intervals

Posted on March 22, 2026May 15, 2026 by Helena Papapostolou

What is a Musical Intervals? Beyond the numerical names (size) (αριθμητικό μέγεθος ή γένος) of musical intervals, which show the distance between two notes, we can see that a C-E sounds different from a C-Eb. (You can find these in Chapter 1). This happens because they have a different number of tones and semitones. This…

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What is Solfège?

Posted on February 27, 2026February 27, 2026 by Helena Papapostolou

Solfège is a music system that connects every musical pitch with a specific syllable. By giving each note a “name”, we make it singable. This simple connection is one of the best ways to improve your musical skills. Why is Solfège Important? This system is like a workout for your musical brain. It helps you…

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The Lyricism of Manos Hadjidakis: “Tragoudi” from Ionian Suite

Posted on February 24, 2026February 24, 2026 by Helena Papapostolou

My journey with the piano music of Manos Hadjidakis has been long and deeply personal. Throughout my studies, I have of performed his most iconic cycles in concerts. From the delicate textures of For a Little White Seashell and the folkloric charm of Six Popular Pictures, to the complex structures of Rhythmology. Among these pieces, the Ionian Suite holds a special place in…

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Happy Twin Peaks Day – 24/2

Posted on February 24, 2026February 25, 2026 by Helena Papapostolou

“Diane, 11:30 AM, February 24th. Entering the town of Twin Peaks.” With those iconic words, Special Agent Dale Cooper drove into a new world. It was a world of good coffee, cherry pies, and a mystery that would haunt us forever: Who killed Laura Palmer? But as Cooper began his investigation into the tragic death of the…

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The Architecture of “Crystal Silence”: A Structural Analysis of Chick Corea’s Masterpiece

Posted on February 23, 2026February 23, 2026 by Helena Papapostolou

I have recently been listening and re-practicing “Crystal Silence” by Chick Corea. Originally, Chick recorded this in 1972 on the iconic Return to Forever album with electric piano and vibraphonist Gary Burton. Today this piece remains an all-time classic. Burton’s use of the four-mallet technique (1) allowed the vibes to shimmer like light hitting glass, a perfect match for Chick’s “floating”…

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