Skip to content
Helena Piano & Music Theory
Menu
  • Home
  • Music and Art History
  • Music Theory
  • Piano
  • Printable PDF Worksheets
  • Learn Piano Online
Menu

Category: Music Theory

Rhythm 101: What is… Rhythm-Pulse-Beat-Tempo-Meter-Measure-Time Signature

Posted on April 27, 2025May 19, 2025 by Helena Papapostolou

Before we move on to more advanced rhythm drills and time values, let’s pause for a quick review. To understand music deeply, we need to clearly know some basic terms in music like time signature and measures. This sum up, will make the next lessons much more easier! In the next lessons, we will explore…

Read more

Understanding Simple Meters in Music: A Guide to Time Signature

Posted on April 28, 2025November 20, 2025 by Helena Papapostolou

Now that we’ve covered rhythm basics, let’s dive into one of the most essential building blocks of rhythm: simple meters and time signatures. These meters are the foundation of how we count, feel, and perform rhythms accurately. In this chapter, we’ll learn what simple meters are, how to read time signatures, and why understanding them…

Read more

Compound Meter & Time Signatures

Posted on April 28, 2025June 11, 2025 by Helena Papapostolou

In this lesson, we will explore compound meters. Unlike simple meters, where each beats divides into two equal parts, in compound meters, each main beat naturally divides into three equal parts. What are Compound Meters? Compound meters are time signatures where the top number is a multiple of 3. In simple meters, the top number…

Read more

The Curved Line in Music: Slur or Tie?

Posted on May 5, 2025June 11, 2025 by Helena Papapostolou

Slurs and ties look almost identical, but they serve two completely different roles in music notation. In this post, we’ll explore what each symbol means, how to distinguish them, and how they affect rhythm and phrasing – plus how they’re connected to syncopation and beats structure. What Is a Slur? A slur is a curved…

Read more

5. Feeling the Rhythm – Simple and Compound Meters

Posted on March 31, 2025April 27, 2025 by Helena Papapostolou

Music isn’t just notes in a staff – it’s how they “dance” together! You’ve learned to read treble and bass clefs, and now it’s time to feel the rhythm. Last time, we boxed beats into measures. Today, we’ll see how those beats group up. They make songs march or sway. Welcome to simple and compound…

Read more

6. Understanding Whole Tone & Semitone in Music Theory

Posted on March 15, 2025March 31, 2025 by admin

Understanding Semitone & Whole Tone is essential for mastering music theory. They form the foundation of scales, intervals, and harmony. These small yet crucial steps between notes define the structure of melodies and chords. They shape the way music sounds and feels. In this guide, we’ll explore the difference between semitone and whole tone. We…

Read more

6. Understanding Whole Steps and Half Steps in Music Theory (U.S. Version)

Posted on March 15, 2025March 31, 2025 by admin

Understanding half steps and whole steps is essential for mastering music theory, as they form the foundation of scales, intervals, and harmony. These small yet crucial steps between notes define the structure of melodies and chords, shaping the way music sounds and feels. In this guide, we’ll explore the difference between half steps and whole…

Read more

7. Introduction to Musical Intervals

Posted on March 15, 2025March 31, 2025 by admin

Melodies and harmonies come from notes working together – and that’s where intervals step in. Last time, we explored semitones and whole tones (half steps-whole steps) as tiny moves between notes. Now let’s see how bigger steps-called intervals- shape the music you hear every day. It’s like measuring the space between notes to unlock tunes…

Read more

8.c. A Major Basics – Scales, Arpeggios and Triads for Grade 2

Posted on April 9, 2025April 23, 2025 by Helena Papapostolou

Another major we will study is the A Major scale. A Major starts from the note A and write the notes in order, up to A an octave higher. First, we notice that E-F interval is a natural semitone. To form the major scale, we observe that the interval C-D is a tone, but for the major…

Read more

8.b. D Major Basics – Scales, Arpeggios and Triads for Grade 1

Posted on April 2, 2025April 3, 2025 by Helena Papapostolou

The third major we will study is the D Major scale. Just like G Major scale we studied earlier in this post, we start from the note D and write the notes in order, up to D an octave higher. First, we notice that E-F interval is a natural semitone. To form the major scale,…

Read more
  • Previous
  • 1
  • 2
  • 3
  • Next

Recent Posts

  • Chapter 1: The Middle Ages: The Beginning of Polyphony
  • Early Christian Church Music: East & West (1st-6th Century)
  • Listening Guide for the Vienna Philharmonic New Year’s Concert
  • Scales, Keys & Modes: A Clear Guide for Music Students
  • Online Music Theory & Piano Lessons

Archives

Categories

  • Behind the Music
  • Music and Art History
  • Music Theory
  • Piano
  • Printable PDF Worksheets

Support My Work & Join "Melody Hub": Scan the QR code to support me on "Buy Me a Coffee" - or become a "Melody Hub" member for printable music lessons every Sunday!

buymeacoffee.com/helenapianotheory

  • Etsy
  • Pinterest
  • X
© 2026 Helena Piano & Music Theory | Powered by Minimalist Blog WordPress Theme